![]() His frames are carefully composed, as are his scenes – and much of the sexual awakening stuff at the beginning feels like heightened high school drama, removed and idealised away from the awkward, messy reality. For all the endless takes and improvisation, Kechiche isn't shooting a documentary. ![]() ![]() Have to say I found the second half a lot more interesting, and I don't think it's just because I was already familiar with the first half. So while chapter one remains quite close to Maroh's outline, chapter two goes down a different road. I'm using the original French title of the film, because although it's adapted from the comic Blue is the Warmest Colour (which is great), this is a different beast. Abdellatif Kechiche combined the source material with another story he was developing, about a teacher who stoically sticks to her duty despite her turbulent private life.
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